Just like I did for my recent rare book and beer pairing event, I wanted to share a few quick thoughts about the work I’ve been doing with incarcerated scholars in the hopes that it’s helpful for other rare books/museums folks who want to include prisons in their outreach iniatives. I have a million other thoughts about how amazing and challenging it is, but this post is just for quick outreach take-aways.
Why do this?
By now it’s no secret that my goal in life is to bring rare books (and museum artifacts in general) to people who want to learn from them but have never been given the opportunity (serving underserved populations, if you want to use field lingo). When I think about a population that is underserved in pretty much every possible way, I think of people who are incarcerated. Many current and former prisoners can’t vote, have limited access to educational resources in prison, and have trouble finding work or funding for an education once they are released. This is in addition to the fact that few prisons offer meaningful programming that discourages recidivism, even though such programs (like Common Good, or like this rehabilitation work) are effective and badly wanted by prisoners.
I just finished giving a presentation for NFAIS on building expanding audiences and empowering community members through unlikely collaborations. The audience, as well as Marcie who was the moderator/cat wrangler/problem solver, were all fantastic and I had a great time chatting with them. I wanted to offer a few highlights from the talk for folks who weren’t able to attend but who are thinking about their own outreach programs.
NB: I focused on rare books since that’s the area I work in, BUT these guidelines could be used for outreach with all sorts of artifacts across many cultural heritage institutions.
Why talk about this? Because outreach is critical for increased access and community empowerment
- Special collections historically very exclusive
- Often limited to those doing research or in academic/special library settings
- Historically excludes those without access to education and other resources
- Often we do not reach beyond these walls, meaning most potential visitors are not aware of what we have to offer.
- Physical access is also an issue (e.g. can someone get to campus? Do they need a certain ID or enrollment/employment status to use your services?)
- Even for those who have access, perceived access may be a totally different matter. Special collections often feel intimidating for the uninitiated, and concerns about whether one has access or what expectations are in a special collections environment can overshadow the desire to engage with collections and programs.
I defended my dissertation on May 29th (the day before my birthday!), and since then it’s been quite the thrill ride over here. I’ve moved to Atlanta and started a job as Rare Books Curator at Kennesaw State University, bought a house, and am doing tons of awesome work (as well as some fun travel). I have a new book in the works (two, actually) that deal with culinary history and Colonial England, exhibits, and lots of other things that I’ll share more detail about later. For now, here’s the link to my dissertation, now that I’ve graduated and it’s gone live. I also just had an article based on my dissertation accepted in Library Quarterly, so that’s great news too! It’s crazy to think it’s been almost a year since I defended (and about 10 months since I ended my panic-inducing job search). I can’t wait to see what the next year has in store for me!
In honor of my 100th post on this blog, I’d like to share the announcement I just made about the topic of my second book! I asked readers to vote on one of two topics (early modern English desserts or gardening practices), and I would work on modernizing the one they chose. Well, readers responded, and they chose…
Thanks to everyone who voted–I’m thrilled to start working on it! You can read the full announcement here.
Earlier this year, I posted about the Cat Librarian Calendar I helped put together. Well, now it’s available to sale, and all proceeds go to Project Gutenberg. Pick up your copies here in time for the holidays!