> This awesome post has been bouncing around the internet, where I saw it on Andy Woodworth’s blog and Sarah Houghton-Jan’s blog. For those who aren’t aware, discussions about e-books have been taking place after Harper-Collins’ announcement that they would be limiting e-book circulation at libraries to 26 uses. This causes tons of problems for access, and while I understand publishers need to make money to continue functioning, my main concern is for library patrons, readers (including students) and for authors.
LIS students–this is a must-read and the topic is one we should all follow. If for no other reason, as a patron who wants to read e-books or even share a book with another student, you want to know that you can use those texts. I have seen a number of people say that e-books are not paper books, and that we need a new set of rules to deal with them. Maybe, but whether or not the suggestions they make are the be all and end all, they are an awesome start because they deal with access and with getting books to readers: the purpose for which they were written in the first place. Since digital books open up the potential for even greater access and sharing because they can be copied almost instantly and without the overhead and resources necessary to create print books. I’m keeping my eyes peeled to see what happens.
>Copyright Criminals
>Last night a group of SLIS students went to see Copyright Criminals, which was absolutely amazing, followed by a Q&A with Kembrew McLeod, an event that was part of the Iowa City Public Library’s Intellectual Freedom Festival. I am so excited about this film that I wanted to write a bit here. First of all, I highly recommend that folks should look at the website and watch the film. It’s very well done, and it calls into question our current copyright laws by looking at the history of sampling in music.
Julia C. Skinner 